Six years after captivating audiences with "Parasite," Bong Joon-ho returns to the director's chair with his third English-language feature, "Mickey 17." Based on Edward Ashton's novel "Mickey7," the film follows Mickey (Robert Pattinson), an "Expendable" on a space colony – a disposable worker cloned each time he dies for research purposes. The film boasts a stellar cast, including Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo.
Since "Parasite," I've been immersed in Bong Joon-ho's filmography, eagerly anticipating his next project. When the trailers for "Mickey 17" surfaced, I was intrigued by its blend of sci-fi and potential comedy, especially as the second trailer hinted at Bong's signature exploration of class dynamics. Coupled with a striking visual style and a compelling cast, my expectations were high. After experiencing it on the big screen recently, here are my thoughts.
Robert Pattinson's performance as Mickey (and his various clones) is undoubtedly the film's highlight. He continues his impressive streak of choosing challenging roles, fully embodying Mickey with a distinctive voice reminiscent of Steve Buscemi and showcasing the nuanced personality shifts between clones. Pattinson's evolution as an actor remains a captivating spectacle.
The supporting cast shines as well. Naomi Ackie delivers a strong performance as a character who is both a love interest and an independent force. Mark Ruffalo's portrayal of a failed fascist politician is chillingly effective, drawing parallels to real-world figures without resorting to caricature. Toni Collette and Steven Yeun contribute significantly to the ensemble's dynamic, each character feeling integral to the narrative.
Bong's mastery of character development is evident. He crafts complex, memorable individuals who resonate beyond their plot functions. The storyline, while serving as a commentary on class disparities, also presents a unique take on cloning. Unlike typical sci-fi narratives, "Mickey 17" explores the expendability of human life in a research-driven context, adding a layer of philosophical depth. While the film contains moments of humor, a more pronounced comedic tone might have enhanced its impact. Nonetheless, Bong's genre-blending prowess remains undeniable.
The film's direction is visually compelling, creating a grounded yet whimsical atmosphere. Dariusz Khondji's cinematography employs clever shots that complement the film's style, while the score effectively sets the tone. The production design is immersive, bringing the alien world to life. Interestingly, the color palette and shot composition occasionally evoke the charm of "Amélie."
However, the film's reliance on green screen is occasionally distracting. While the creature designs and planetary visuals are impressive, the artificiality of certain backdrops is noticeable, hindering immersion.
Overall, "Mickey 17" is a thoroughly enjoyable sci-fi film, a testament to Bong Joon-ho's directorial vision. The exceptional performances, thoughtful screenplay, distinct visual style, evocative score, and detailed production design contribute to its success. A more consistent comedic tone and refined green screen effects would have elevated the film further.
"Mickey 17" is a compelling addition to Bong Joon-ho's filmography and a must-see for sci-fi enthusiasts. I rate it a 4.5 out of 5 stars, or a 9/10.
Rating: ★★★★☆
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